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Within a short time, I became enamored with the shortwave bands. I can recall with amazement learning that the English monotone newscast I often heard was coming from Radio Moscow. In the middle of the “Cold War,” this was heady stuff. I think few of my friends were as intrigued by this stuff as I was.
By the late ‘50s, I was becoming a frequent listener of the Voice of America. I liked to listen to both standard newscasts and “Special English” programs. Some 40 years later, when I was director of the Mississippi public broadcasting network, I even stole VOA’s “Opinion Roundup” title for a new program we initiated. It was a collection of editorial opinions from regional newspapers.
If I were to associate a single “voice” or “personality” with the Voice of America, it was Willis Conover. He was the independent contractor hired by VOA to host a jazz program, and it became wildly popular around the world. Importantly, it became a link with Russia and eastern European listeners and helped keep open a path of friendship between the peoples of those countries and the United States.
Willis’ rich voice, although used in a rather dour and monotone delivery, became familiar to citizens in most corners of the world – except, ironically, the United States. He seemed to have a limitless knowledge of jazz and its musicians, although that perception may have been because I was so immersed with “popular music” and the emerging sounds of rock and roll. I knew little about jazz.
The work of Willis Conover and his VOA broadcasts were a memorable part of my youth -- perhaps yours, too. I hope you’ll enjoy some of these photographs of Willis at work and with some of the folks he interviewed over the years. That's songstress Sara Vaughan above with Willis. It’s a most enjoyable stroll down memory lane.
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